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“The average person didn’t have their eye trained to older styles and didn’t want to see them, and the business was concerned with that,” Basinger says. So straight-cut chemise dresses, which would hide even Monroe’s bombshell figure, got nipped waists and thinner straps, with hemlines adjusted to hit just below the knee. Solid bright colors exploited the possibilities of Technicolor, erasing a refined ’20s palette that included nuanced shades like burnt sienna, grass green, muted lilac, and dusty rose. Most of these films were musicals, making movement paramount in costuming, and nothing from the ’20s moves better than fringe. Just look at the frenetic “Broadway Melody” sequence from Singin’ In the Rain: Gene Kelly waltzes around a series of New York tableaux, surrounded by dozens of beaming women wearing spaghetti-strap dresses in vivid pink, yellow, orange, and blue, their every wiggle amplified by go to this web-site rows of long fringe. The energy is infectious. A promotional still from Singin’ in the Rain, featuring women in fringed dresses. But making enough full-fringe dresses to outfit a chorus line was only recently possible at the time, says Patricia Mears, the deputy director of the Museum at FIT . “Fringe today” — which is functionally the same as what was available by the 1950s — “is mass-produced and only a few inches long; it’s a lightweight synthetic, and the knit that’s used is not very dense, so that you can apply several layers without it becoming heavy.” Twenties fringe, in contrast, was woven into a dense knit from innumerable silk fibers. Multiplied across enough rows to cover a dress, it quickly surpassed 25 pounds and tangled easily — hardly ideal for a Charleston.

For the original version including any supplementary images or video, visit https://www.racked.com/2017/5/19/15612000/flappers-fringe-myth

Thanks to that dress, it’s clear immediately that Bow, who had faded into obscurity by the time of the shoot and is a virtual unknown now, was at her peak a Jazz Age vixen of the highest order — a flapper. An anachronistic dancer in the 1949 film The Great Gatsby. Almost 60 years later, from Halloween to New Year’s Eve to your cousin’s bridal shower, the same standard still applies: the quickest way to pull together a look everyone will read as “1920s” is a short, tight, scoop-neck dress, probably in a solid red or black, dripping with fringe or at least with a long fringe hemline. On Amazon, options start at just $20. Customers who bought this item also bought: Long Cigarette Holder, Feather Boa 60”, Roaring 20s Sequined Showgirl Flapper Headband w/Feather Plume. A fun, flirty, familiar flapper, all for under $100. And, for the most part, wrong. “Fringe [was] not the most common thing you saw in the 1920s. That would be beadwork or embroidery,” says Beverley Birks, a vintage dealer and exhibition curator who’s worked with 1920s clothing for nearly 50 years.

For the original version including any supplementary images or video, visit https://www.racked.com/2017/5/19/15612000/flappers-fringe-myth

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